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About Contemporary Folk Art Story "Some of my ideas are immediate, and some never see the light of day. I have some that have been incubating for years that I still haven't used. I am an advocate of sketch books (I carry one on the bus) and a good digital camera (I most always have one around). Most works are started as abstracts, free-flowing latex, patches of color, very random, and I see what develops from there. It's all a matter of juxtaposition and light. Then I add and subtract until I find my voice. Because I work on wood, the surface can handle much abuse, and I dish it out; I can sand areas, scratch, paint over, etc., until I get a desirable layout. But overall, it's the process of making art that is most important."
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